Original IP, built for its next decision.
FableWyre originates and develops scripted properties as commercially usable narrative IP. Each title is built as a story first, then developed toward the format, audience experience, continuation potential, and market path it can legitimately support.
The work below is available for qualified acquisition, optioning, licensing, commissioning, co-development, packaging, or producer-led production conversations, subject to the rights position and needs of each property.
More than a slate of scripts.
The Work collection demonstrates both inventory and capability: complete scripted properties, distinct narrative systems, format-native architecture, controlled development materials, and a range of commercial entry points.
Not every title is offered in the same way, and not every conversation begins with a sale. A property may move through acquisition, option, license, co-development, commissioning, packaging, adaptation, or a producer-led route to production.
Scripted stories developed to move.
Vertical drama is FableWyre’s current leading commercial specialization. The slate spans thriller, mystery, comedy, performance drama, and character-driven genre, with each property developed around its own dramatic engine rather than a repeated template.
We Didn’t See Anything
The collision was an accident. Every choice after it was voluntary.
Four former friends strike the woman they once abandoned, then leave her alive. At the isolated house where she summoned them, prepared evidence turns their shared cover-up into a fight over who controls the truth, the proof, and who will be sacrificed before dawn.
Commercial distinction: A one-night pressure-cooker thriller in which a single collision, four competing truths, and an escalating evidence system force every character to choose between confession, control, and self-preservation.
Who Is Adam Sloane?
Four lives. One body. No single truth.
When a gay Cahuilla mortuary worker recognizes an unclaimed overdose victim as the lover who vanished ten years earlier, rival claimants and contradictory identities force him to uncover the dead man’s hidden lives, the exploitation he tried to expose, and the harm no heroic explanation can erase.
Commercial distinction: The mystery does not resolve by revealing one authentic identity. Each claimant is telling the truth, and every new record, relationship, or injury changes who may speak for the dead.
Lipstick Alibi
Five queens give five different alibis for the same missing man.
Six months after drag performer Sunday Saint dies in what looks like an overdose, club co-owner Gideon Sorrell vanishes from a blood-soaked office. Five members of the House of Belladonna all lie about where they were and what they did, and their separate secrets reopen Sunday’s death.
Commercial distinction: What first appears to be one coordinated cover story is five behaviorally distinct lies. Drag performance, image control, chosen family, grief, surveillance, money, and physical evidence drive a mystery that refuses to equate solving the crime with absolution.
Scheduled Chaos
Two events. One ballroom. Zero capacity.
When the prestigious Hospitality Futures Forum loses its venue, hotel founder Lionel Arnett volunteers The Aveline for the rescue, without disclosing that its ballroom already belongs to Marlene and Bennett’s wedding. His gifted operations director, Evan Talbot, has one weekend to make both events happen and one promotion worth losing himself over.
Commercial distinction: Escalation comes from intelligent people protecting incompatible promises. Every solution consumes another resource, exposes another operational limit, and turns limitless hospitality into visible human cost.
The Queen Must Go On
One live number becomes a stolen life.
When global drag icon Vivienne Vale disappears hours before the Crown Gala, gifted regional queen Eddie Ramirez agrees to replace her for one performance. The impersonation works so completely that Vale Entertainment refuses to let it end.
Commercial distinction: Drag is not the deception. The fraud begins when a corporation claims the right to preserve a public persona after its creator withdraws consent, and the replacement discovers that his success is the trap.
Curtain Call for a Corpse
A celebrated actress dies onstage. Her understudy inherits the role, and the blame.
After secretly moving a celebrated actress’s stage mark as an act of petty sabotage, understudy Celia Rook watches someone else turn that choice into murder. She inherits the victim’s role and the cleanest motive, and must expose the killer by destroying the life she wanted.
Commercial distinction: One elegant, decaying theatre becomes a complete pressure system. Performance, guilt, institutional survival, and a physical evidence chain drive a mystery in which the killer is exposed but the protagonist is not absolved.
Request Materials
Fade Out: Camille
They wrote her apology before they removed her.
On the day her collapsing network drama stages a live farewell designed to erase her and make her the reason it failed, longtime supporting actress Camille Rourke appears to beg for her place back, while secretly converting the broadcast into a sourced exposure and the launch of her protected starring deal.
Commercial distinction: One studio day becomes a live contest over who controls the official version. Every attempt to contain Camille creates another witness, contradiction, obligation, or surviving record.
Request MaterialsNew ways into a story.
Stories designed to be played together.
FableWyre is developing authored social narrative play, interactive books, and other story-led group experiences designed around choice, participation, and shared discovery.
In DevelopmentStories audiences can enter.
FableWyre is developing narrative frameworks for live and immersive experiences that audiences can enter, inhabit, and influence.
In DevelopmentThese categories express the studio’s wider creative direction. They are not currently presented as named products, public commissions, or ready-to-buy service packages.
Need a story that is not already on the slate?
FableWyre also develops new properties against partner mandates and adapts existing controlled IP for new scripted forms. The same capabilities demonstrated across the original slate, premise development, character and story architecture, serialized structure, format design, screenplay development, validation, revision, and packaging, can be applied to a defined commercial need.
The public page is the beginning of the conversation.
One-sheets, decks, treatments, screenplays, and other title-specific development materials are shared selectively for controlled review. Availability varies by property and inquiry.
Request Materials